In that incarnation, the brothers were a part of a video game. And it was kind of like a cooperative video game where they all had different attributes and you had to work together to get tasks done. After working a few years in architecture, Molano eventually moved out to Los Angeles. While interning at the animation studio Titmouse, Molano revisited the brothers to pitch the TV show. And Molano is excited his show is finally putting the spotlight on Aztec, Olmec and Mayan mythologies because not a lot of people are familiar with these stories.
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Spooky new cartoon ‘Victor and Valentino’ channels Mesoamerican folklore - Los Angeles Times
In French photography, the s was a decade of both dramatic technical change and great artistic flowering. Artists of the first rank, many of them trained as painters, took up a fully mature medium and made ambitious works of art, often for patrons of the highest social rank. No longer experimental or unreliable but not yet industrialized, photography in the s was still very much a handcrafted medium, more like cuisine than science, with technical treatises that, like a good cookbook, provided the foundation of knowledge on which individual photographers could build their experience. Adjusting the formulas laid out in such treatises like chefs adjusting recipes, photographers found that a drop of this or a dash of that made their negatives more sensitive on a warm day or their prints a shade ruddier or more purple. While the s were overwhelmingly dominated by the daguerreotype —magically precise, one-of-a-kind images on highly polished, silver-plated sheets of copper—the s saw the rise of paper photography, invented by the Englishman William Henry Fox Talbot.
The Rise of Paper Photography in 1850s France
T he London lock-up doesn't seem to have an entrance. It's the type of disused garage in which bodies are found years after the crime. I knock and knock, and hope for the best.
In Vasarely made a radical and life changing decision — he decided to suspend his studies in medicine and change direction completely, making the decision to pursue a career in art. These years studying medicine were far from wasted though as the formal scientific training provided him with a strong sense of scientific method and objectivity — something that stood him in good stead throughout his artistic career. For the following two years, Vasarely studied traditional academic painting at the private Podolini-Volkmann Academy. Throughout this time he further occupied himself with reading widely — particularly scientific literature — absorbing the works of Einstein, Heisenberg, Bohr and Wiener.